Polish dance photographer Gniewko Głogowski reviews the Godox AD300Pro, examining its performance after extensive use in varied event and on-location shoots. Discover how this compact flash enhances his dance and portrait photography.
In my review of the Godox AD300Pro flash, I want to share my thoughts after a year of putting it through its paces. We’ll skip the detailed specs for now and dive into what really matters – how it holds up in the everyday grind of a photographer.
As a photographer specializing in events and on-location shoots, studio sessions with an assistant are a less frequent part of my work. Therefore, ergonomics, mobility, and the power-to-size ratio of my equipment are what I value most. Among the various lights in the AD series I own, the Godox AD300Pro frequently tops my list when I’m packing for my next journey across Poland. You can see its surprisingly compact size in the photo of my backpack, packed and ready to travel.
In my photography, I mix coverage, photoshoots, and specific requests from the event organizers I collaborate with. This variety makes it essential to have a versatile light source ready for any situation. The AD300Pro is my go-to because I can take it anywhere. Even after a full day of shooting, it’s not nearly as burdensome as hauling around something larger like the AD600 Pro.
Alongside the flash, I pack the AD-S60S Godox Mount softbox and a slim light stand. Although the setup’s surprisingly compact, it’s incredibly versatile—trust me on this. When I require a larger modifier, I bring along a shoot-through umbrella, which conveniently attaches to the flash’s built-in umbrella holder. The entire kit fits snugly into any compact carrying case.
It’s important to note that this flash doesn’t come with a classic Bowens mount; for extended compatibility, an appropriate adapter holder will be necessary.
One thing I really appreciate about Godox is how affordable its accessories are. Whether it’s a new trigger, a softbox, or a battery I’m after, securing budget-friendly options is always a breeze.
When working on location, the High Speed Sync (HSS) mode is a game-changer for me. It’s crucial for blending flash with natural daylight while maintaining a low aperture. So, does the AD300 pack enough punch for daylight shoots outdoors? In my experience, it delivers in 90% of scenarios. The only time it falls short is on particularly bright, sunny days. In those cases, when you need to significantly overpower the ambient light and achieve seamless integration into the scene, I’d lean towards the Godox AD600Pro.
Another key factor is its power supply. The battery is small, and it charges quickly. Typically, I bring along two batteries for a shoot, but it’s rare for me to need the second one. When using the flash at 1/16 or 1/8 power indoors, one battery easily lasts me through the day. For outdoor shoots, a single battery provides enough juice for several hundred flashes at full power.
Speaking of power, the AD300Pro’s ability to reduce flash intensity to 1/256 is incredibly useful for night photography when we’re aiming to preserve ambient light. What’s more, the TTL mode elevates its versatility, automatically adjusting light output to perfectly match the scene. This is particularly handy for settings like ISO 1000, f/1.4, and a 1/60 s exposure, simplifying the complex task of light management. For those who are still getting comfortable with using flash, the TTL mode’s automatic adjustments can be a game-changer.
Another standout feature of the AD300Pro is its built-in LED light, which doubles as a compact continuous light source or a modeling light. It stands out for its ability to alter the color temperature from a cooler to a warmer tone and adjust the level of brightness. This flexibility is incredibly handy for creating reels, shooting interviews, or lighting up small scenes—a fantastic option for all content creators.
All in all, I wholeheartedly recommend the AD300Pro to anyone who appreciates convenience, portability, excellent craftsmanship, and a versatile power range. It has proven exceptionally useful for events in my experience. Depending on your needs, it could be equally effective in a studio, at weddings, for outdoor photography, or any other scenario.
Here’s a showcase of photos shot with the AD300Pro flash.
Gniewko Głogowski
A Polish photographer with a focus on telling stories of movement and passion, capturing dance scene masters in both studio and event photography.
